sábado, 30 de janeiro de 2010

New Twist in Brittany Murphy Death

Brittany Murphy's death investigation has taken a mysterious turn -- the L.A. County Coroner's Office is now trying to fill in some critical gaps in her medical history ... sources tell TMZ.

We've learned Brittany was suffering from severe anemia and other conditions and was under a doctor's care. The Coroner's Office received medical files from her doctor ... but they show her last visit was months before her death.

We're told the pathologist assigned to the case has been told by Murphy's friends and family that other doctors treated Murphy during her final months. The Coroner's Office is looking for the other doctors to determine her medical condition leading up to her death.

The pathologist also wants to know what medications may have been prescribed by the other doctors.

The toxicology report is not completed. Once the report reveals the drugs in Murphy's system at the time of her death, the Coroner's staff will then determine if the medications were prescribed to Brittany or, possibly, someone else.

As we first reported, investigators found numerous medications in Murphy's home after her death -- medications prescribed to Murphy, Simon Monjack, Brittany's mother Sharon Murphy and "unidentified third party names".

We're told the Coroner will not release the cause of death for weeks.

TMZ

It’s Official: Cast of Jersey Shore Returns for Season 2


Pump your fists, Jersey Shore fans!
MTV has announced that its hit reality show,Jersey Shore, will return with the original cast for a second season this summer.
Pauly DelvecchioMike “The Situation” SorrentinoNicole “Snooki” PolizziJenni “J-WOWW” FarleySammi “Sweetheart” GiancolaRonnie Margo and Vinny Guadagnino will all “escape the cold Northeast and find themselves in a new destination” for season 2, MTV said in a statement.
“Our audience has fallen in love with Jersey Shore and its amazing cast who have really grown together as a family. That bond gives the show its heart, and we’re thrilled to reunite these friends to bring fans more of what they love — laughs, love, drama and of course, GTL,” MTV’s President of Programming Tony DiSanto said.
If you can’t wait until summer to see Snooki dance or The Situation work the duck phone, MTV will broadcast the Jersey Bowl Feb. 7 (9 a.m. EST), a marathon of season 1, leading up to the Super Bowl. – Aaron Parsley

People

Will a Roman Barber Help Secure Sainthood for John Paul II?


By Alexander Smoltczyk in Rome

An Italian barber who claims he experienced a miracle could become the key figure in the canonization of John Paul II. There are just a few hitches: He's a communist, and he doesn't like the church.

Gianni's razor blade slices through the thick foam on the neck of his customer. "Of course, I told Wojtyla at the time that I'm a communist. He accepted it. Naturally, no one provokes his barber, at least not when he's getting a shave. Am I right, Alberto?" A mumble of assent can be heard through the shaving cream. "Not even a future pope".


Sixty-one-year-old barber Giovanni Vecchio, who goes by Gianni, once gave Karol Wojtyla a shave. It was in 1976 or 1977, and he was working in a barbershop near the Vatican.



"He didn't know his way around. He had a strong accent. He was a guest worker, just like I used to be." The two men talked, in German and Italian, and it didn't take long for him to figure out that, he, Gianni Vecchio, had had a cardinal under his knife. "Back then, in 1978, when the white smoke rose into the sky after the conclave, I was standing in St. Peter's Square, and I heard this voice, with that accent. I know him, I said to myself".

Vecchio, a stout man with a shaved head, looks like a retired wrestler. But he holds his comb and scissors as gracefully as a knife and fork at a gala dinner. His barbershop is little more than a hole in the wall, completely lined with mirrors, on Via Niso, a street flanked by tall, low-income buildings in eastern Rome. A shave costs €5 and a haircut €15. There are special rates for neighbors, a category that seems to apply to almost anyone.

The barber recently became a "miracolato," or a witness to a miracle. This makes him a potential authority on the suitability of a future saint. Before a good Catholic can be beatified or even canonized, a protracted examination procedure is required, which is described in the apostolic constitution known as the "Divinus perfectionis magister".

"Santo subito!" -- "sainthood now!" -- the people who had gathered at night in St. Peter's Square chanted when Pope John Paul II was lying in state inside the basilica. But canonization isn't possible without meticulous examination and the testimony of witnesses. And nothing goes without a miracle, recorded and certified by the relevant Vatican officials.

That's why Gianni Vecchio is so important -- or at least one of the disks in his lower back, the one that is no longer the source of excruciating pain.

Double Entry Bookkeeping

The former pope, who was instrumental in bringing down the Soviet empire, could end up owing his halo to a former guest worker and member of the Italian Communist Party. "Here," he says, offering his proof of party membership: "identification card number 496145, Togliatti section in St. Georgen. Signed by Enrico Berlinguer" -- the legendary party leader.

Vecchio carries the document, which is adorned with the hammer and sickle, in his wallet, along with two small votive pictures, one of John Paul and the other of Mother Teresa. He calls it his personal version of double-entry bookkeeping: "Faith is one account, and politics is another. I was never religious and I'm not religious today. But this Wojtyla has taken me by the hand".

The walls are adorned with several generations of calendars, layered one on top of the other. Gianni has taken out one of them, from 1988, and pinned it on top. "It's relevant again," he says, as he taps the current date with his finger and begins searching for the pieces of evidence in the miracle that involves one the disks in his lower back. Meanwhile, the shaving cream is beginning to dry on Alberto's upper lip. But Alberto doesn't mind waiting, nor do any of Vecchio's other customers. Without his shop, many wouldn't know how to spend their days.

In this country, which often seems to have deteriorated into something one might call Berlusconistan, Vecchio seems as much a relic of the past as the fading calendars on the walls of his shop. He is a holdover from the days of cardboard suitcases, when the poor from southern Italy, including Vecchio, began migrating north. Some went as far as St. Georgen in Germany's Black Forest, where they worked in the factories that were still there in 1961, the factories that produced Dual record players and Kundo and Staiger clocks. "There were 2,500 foreigners in St. Georgen, most of them from Italy," he recalls. "Almost all were communists. And that was the year the Berlin Wall was built. It wasn't easy".

Vecchio loved St. Georgen. He gave the other workers haircuts and began assembling the collection of hair dryers, shaving brushes and razor blades that line the walls of his barbershop today.

Vecchio's Miracle

After Vecchio had returned to Rome and opened a barbershop, and after meeting this Polish priest, he would see him every year on January 6, at the blessing of the manger of Rome's street cleaners, a Christmas cult site for the city's ordinary people. "He always looked at me. And now listen to this…".

A year ago, Vecchio began having severe lower back pain. He could hardly walk anymore, and even giving shaves to his customers became more and more difficult. He went to a hospital, where he was diagnosed with a herniated disk between the second and third lumbar vertebrae.

On July 31, 2009, Vecchio was admitted to the San Giovanni Hospital for surgery ("San Giovanni, like Giovanni Paolo II, does that ring a bell?!"). He saw a photo of John Paul II hanging in the lobby. "It was an early photo of him," he says, "with the eyes I remembered".

An MRI was performed to confirm the diagnosis, and Vecchio was scheduled for surgery on Augusst 3. But then, one day, as he says: "I woke up and the pain was gone. Completely gone! Dottoressa Zaccagnini did another MRI later one and found nothing! She said that while she didn't believe in miracles, there was no explanation for what had happened".

Part 2: I'm Probably the only Wojtyla Miracle from Italy

It must have been the look in the eyes of his former Polish customer.

"Gianni, you were chosen," a voice says from behind a newspaper on the other side of the barbershop, where three elderly men are now sitting, waiting their turns.

Whatever the explanation, Vecchio remains pain-free to this day. He jogs 10 to 15 kilometers through the city every few days, and he circles his chair with the vitality of days gone by. "And then there was a photo of John Paul lying on the ground in front of my shop the other day. Exactly what I had wished for!" One of the waiting customers chimes in: "Sei miracolato! Like Berlusconi, who didn't have any scars after he was attacked in Milan".

The Place Where Saints Are Made

Vecchio reported his case to the "Congregation for the Causes of Saints" on St. Peter's Square, where -- during normal business hours -- saints are made.

When the Congregation for the Causes of Saints proclaimed the heroic virtue of the Polish pope on Dec. 19, 2009, Vecchio appeared as a guest on Italy's highest-rated talk show, "Porta a Porta," to talk about his herniated disk. "I'm probably the only Wojtyla miracle from Italy," he said.

Although, when it comes to miracles, some in Italy might say that leaving the notorious San Giovanni Hospital alive qualifies as one.

The proclaiming of heroic virtue by Pope Benedict XVI, together with a miracle, is a requirement for beatification. Karol Wojtyla is clearly about to be beatified, and he is also believed to be on the path to sainthood. Even upon close inspection, the way he conducted his life was preeminently Christian, and his writings (all of which were studied with "rigor and sober-mindedness" and presented to the current pope) offer no grounds for skepticism.

The regulars at Salon "Gianni" on Via Niso, at any rate, expect that there will be a new saint to whom they can offer their prayers by this fall, a Saint Karol.

"They said that my case would contribute to his beatification," says Vecchio. Unfortunately, however, the taking of evidence in "Causa Wojtyla" had already been completed in July, and retroactive nominations are not part of the process. This means that Vecchio's miracle will not be of any use to the Vatican until the second phase.

Will It Qualify as a Miracle?

When that happens, a panel of doctors and theologians will examine Vecchio's computer scans, compare the before-and-after images, obtain expert reports and opposing expert reports, and eventually arrive at a vote. And if it turns out that ordinary science can offer an explanation for Vecchio's miraculous recovery, it will not qualify as a true miracle.

"Ciao Gianni, I'll pay you the rest next time," says Alberto, the customer in the chair. "Ciao Alberto. Your turn, Tommaso. The usual?" "The usual, Gianni".

Heroic virtue is unlikely to be in the cards for barber Gianni Vecchio from Via Niso. He is currently separated from his wife and lives with a Croatian woman. He is a barber who sometimes gives his customers shaves -- even the occasional cardinal who happens to wander into his shop.

But without places like Salon "Gianni," Italian society would not be able to offer such tenacious resistance to the faster pace and general disillusionment of modern life. It's a place where, surrounded by bottles of aftershave, photos of grandchildren, pinups and pictures of the saints, Vecchio and his customers discuss the politics of the day and appraise the latest impertinences of the ruling class.

It's only a barbershop, not a place for metaphysical debates.

But wondrous nonetheless.

Translated from the German by Christopher Sultan

Spiegel Internacional

Tesla Is Going Public


Tesla Motors is preparing an initial public offering it hopes will raise as much as $100 million.
The company announced Friday that it has filed the Form S-1 registration statement with the Securities and Exchange Commission for the proposed public offering. The form says the stock would be issued “as soon as practicable.”
Tesla spokesman Ricardo Reyes declined to comment.
The announcement, widely anticipated and frequently rumored, comes just a week after the Department of Energy closed a $465 million loan to help the Silicon Valley automaker build the Model S sedan (pictured). The company has put 937 Roadsters in driveways since starting production two years ago, but that hasn’t kept it from losing money.
A lot of money.
The SEC filing provides the first clear look at the company’s finances. It notes that Tesla has lost “approximately $236.4 million from our inception through Sept. 30, 2009″ and said profitability depends upon successfully producing “automobiles such as the Model S” and growing public interest in electric vehicles.
Most of the major automakers are developing electric vehicles and plug-in hybrids, but Tesla has had the field to itself as the only company mass-producing a highway-legal EV. That field will grow a little more crowded later this year, when General Motors and Nissan begin selling the Chevrolet Volt and Nissan Leaf, respectively.
The Roadster retails for $109,000 before the $7,500 federal EV tax credit, and the souped-up Roadster Sport starts at $128,500 before the credit. The company has sold 937 cars and had $106.5 million in cash at the end of September. Tesla posted its first profit in July, marking the first time it had been in the black since its founding in 2003.
The company has teetered on the brink of financial ruin in the past, but it has always squeaked  through. Tesla got a $50 million infusion in May when Daimler bought a 10 percent stake in the company.Speculation of an initial public offering ramped up in November, but the company has largely kept mum about its finances and plans.
According to the SEC filing, half of the proceeds from the IPO would have to fund a dedicated account toward the production cost of the powertrain in the Model S and the facilities to build the car, if the company is to be eligible to draw on all of its Department of Energy Loan. The statement says Tesla will need every last cent of the $465 million the feds are putting up to build the car.
Tesla hasn’t said where it will build the Model S, but all signs point toward an old television and film production facility in the Los Angeles suburb of Downey. Tesla says the Model S will see production in 2012 and — interestingly — the Roadster will cease production in 2011. It won’t be back until at least one year after the S starts rolling off the line. (Read more about that here.)
And speaking of the Roadster, the SEC filing contains an intriguing detail regarding its profitability: In the financial data summary Tesla says it had a profit margin of 8 percent — not anemic but not good. However, that entire margin seems dependent on zero-emission-vehicle credits, which will not be available by the time the Model S is commercially available.
Since the Roadster was arguably unprofitable even at a drive-away price of between $125,000 and $140,000, it would seem that some unspecified efficiencies would have to be part of the success story for a vehicle with an MSRP touted to be half that — $57,000 before the federal tax credit.
Wired.com New York Bureau Chief John C Abell contributed to this report
Photo: Jim Merithew
Wired

Is this a box-office record with an * ?


Higher movie ticket prices are skewing box-office records. 'Avatar,' poised to become the all-time money leader, has nothing on 'Gone With the Wind' when it comes to viewers

Like so many recent movies, "Avatar" has benefited from the steep rise in ticket prices, especially in the new 3-D era. (Virginia Mayo, Associated Press / January 28, 2010)

By PATRICK GOLDSTEIN

When is a box-office record really a record?

That's a question worth pondering as "Avatar" becomes the No. 1 all-time box-office movie -- and a question that's likely to come up more frequently in the future. And I think it suggests that maybe it's time to change the way the industry ranks movies in box-office charts.

As our box-office experts in Company Town have noted, "Avatar," like so many modern-day movies, has benefited from the steep rise in ticket prices, especially in the new 3-D era. So should "Avatar's" box-office numbers -- as of Thursday its gross is $1.917 billion worldwide and $564 million domestic -- carry an asterisk?

After all, if we were writing about the all-time box-office champ in terms of actual ticket admissions, it would still be "Gone With the Wind," David O. Selznick's 1939 sweeping historical romance that has riveted moviegoers for generations. If you put together an all-time box-office chart, adjusted for inflation, "Gone With the Wind" remains the undefeated, unrivaled champion, having earned an astounding $1.45 billion in ticket sales over the years. As box-office guru Hollywood.com's Paul Dergarabedian told me this week: "You never want to say never, but that's a record that I don't think will ever be broken".

In an adjusted-for-inflation, all-time box-office top 10 (compiled by Dergarabedian), "Gone With the Wind" is the easy winner, with George Lucas' 1977 "Star Wars" in the No. 2 slot, with $1.26 billion in grosses, followed by 1965's "Sound of Music," 1982's "E.T. the Extra-Terrestrial" and 1956's "The Ten Commandments".

Jim Cameron's "Titanic" comes in at No. 6 on the chart (with $955 million) while "Avatar" doesn't even come close to making the top 10, with a mere $558 million in grosses. To give you an idea of how different the adjusted-gross box-office chart is from the all-time box-office chart we normally follow, "Gone With the Wind" doesn't make even the top 50 all-time box-office leaders chart -- the one that now has "Avatar" on top.

To say that the chart we normally use is weighted toward modern-day movies would be an understatement. When Dergarabedian compiled the all-time box-office chart (that is not adjusted for inflation), only five of its top 50 films were released before 1997 -- Lucas' original "Star Wars" trilogy, Spielberg's "E.T." and 1990's "Home Alone." The vast majority of films on the list were released in the last half-dozen years. But turn things around and check the adjusted-gross top 10 list, there's only one film -- "Titanic" -- that was released in the last 30 years.

It feels as if something is out of whack. To make a comparison with our other statistic-obsessed national pastime -- baseball, of course -- the movie industry's box-office charts look suspiciously like baseball's steroid-plagued all-time home run list. In most career baseball records, including pitchers' victories, hits, RBIs and even stolen bases, there are plenty of representatives in the upper reaches of the record book from the historic and modern era. But among all-time home run leaders, the top 20 list is crammed with players from the steroid era -- i.e., players whose majority of careers were during the 1990s and first half of the 2000s.

Baseball purists are pretty unhappy about this development, so much so that when it comes to Hall of Fame consideration, many of the steroid-era sluggers are being shunned. (Mark McGwire has 583 home runs, normally a number that would easily qualify a hitter for the Hall of Fame induction, but the former St. Louis Cardinals slugger, who recently admitted to steroid use, has barely earned 25% of baseball writers' votes since he became eligible for induction, far short of what's needed for admission)

Don't get me wrong. I'm not saying "Avatar" or any of the other modern-day box-office behemoths are unworthy of their money-making honors. But because of ticket price inflation, which has quietly taken a giant leap forward thanks to the extra dollars moviegoers are paying to see 3-D movies, the all-time box-office charts are even more heavily weighted than ever toward 21st century films. And with more 3-D films in the pipeline, in a few years the top of the charts will be more dominated by current films.

The solution? Why not switch to box-office charts that are based on attendance, not grosses, which would give us a more realistic portrait of how many people actually saw a film, not just how much moola its studio made? I don't know about you, but when I think of how much cultural heft a film has, I'm more interested in how many people enjoyed the communal delight of being in front of the big screen, not simply how much money they had to pay to see it.

Los Angeles Times

luishipolito@outlook.com

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